Thomas Lendvai is a meticulous, thoughtful, and talented artist who transforms everyday construction materials into large-scale sculptural experiences. His works celebrate the intrinsic and elemental value of the materials he utilizes while simultaneously exploring the notion of self. Through his work, he explores modernist and post-modernist theory of sculpture that is informed by a knowledge of carpentry, taught to him by his father at an early age.
Lendvai’s site-responsive installations make use of fundamental geometric forms to address concepts of space and time, and to engage audiences through experiential installations that break down the boundary between the art object and the subject and question the notions art, design, and architecture. His work encourages movement and a continuous awareness of a series of nows, allowing for audiences to experience a more tactile engagement with space and self.
His exhibition, 10 at Odetta Gallery in Brooklyn, exemplifies his artistic practice and is the culmination of years of study, exploration, and contemplation. It is also an impressive, monumental sculpture that is surreptitiously balanced, forcing the viewer to accept and at the same time question the idea of here and now. The sculpture transcends gravity by breaking the plane of the floor while the crux is simultaneously elevated. A feat that some might call “magic.” I would call it artistic mastery.